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The Moment It Clicks: Photography secrets from one of the world’s top shooters (Voices That Matter) (Paperback)

by Joe McNally (Author)

Textbook Details
* Paperback: 272 pages
* Publisher: New Riders Press; 1 edition (February 2, 2008)
* Language: English
* ISBN-10: 0321544080
* ISBN-13: 978-0321544087
* Rating:

Textbook Description
Joe McNally, one of the world’s top pro digital photographers, whose celebrated work has graced the pages of Sports Illustrated, Time, and National Geographic (to name a few), breaks new ground by doing something no photography book has ever done—blending the rich, stunning images and elegant layout of a coffee-table book with the invaluable training, no-nonsense insights, and photography secrets usually found only in those rare, best-of-breed educational books.

When Joe’s not on assignment for the biggest-name magazines and Fortune 500 clients, he’s in the classroom teaching location lighting, environmental portraiture, and how to “get the shot” at workshops around the world. These on-location workshops are usually reserved for a handful of photographers each year, but now you can learn the same techniques that Joe shares in his seminars and lectures in a book that brings Joe’s sessions to life.

What makes the book so unique is the “triangle of learning” where (1) Joe distills the concept down to one brief sentence. It usually starts with something like, “An editor at National Geographic once told me…” and then he shares one of those hard-earned tricks of the trade that you only get from spending a lifetime behind the lens. Then, (2) on the facing page is one of Joe’s brilliant images that perfectly illustrates the technique (you’ll recognize many of his photos from magazine covers). And (3) you get the inside story of how that shot was taken, including which equipment he used (lens, f/stop, lighting, accessories, etc.), along with the challenges that type of project brings, and how to set up a shot like that of your own.

This book also gives you something more. It inspires. It challenges. It informs. But perhaps most importantly, it will help you understand photography and the art of making great photos at a level you never thought possible. This book is packed with those “Ah ha!” moments—those clever insights that make it all come together for you. It brings you that wonderful moment when it suddenly all makes sense—that “moment it clicks.”

The Moment It Clicks Review
Picture this. You meet one of the world’s great photographers in a bar. He has a stack of pictures with him from his portfolio. As you go through the pictures, he talks about them, about the people in the photographs, and how he made each of them. About a third of the way through you realize that when he talks about the technical details he talks mostly about the lighting, and you are sorry you didn’t pick up on that right from the beginning, but now you listen avidly to try to learn his lighting techniques.

Then, about two-thirds of the way through, he stops talking about the lighting, and starts meandering about the photo editors he knew, and how he may have sacrificed some of his family life to be a photographer, and how he came up through the ranks, and that’s interesting too.

When Joe McNally talks about lighting a picture of James Brown, or Sophia Loren, or Larry Tisch, the techniques he uses seem to be ones you could use. But when he talks about getting a bunch of masks from the Smithsonian to shoot Michelle Pfeiffer, or five full length mirrors set up on the field for a picture of shortstop Ozzie Smith, or using 10 or 15 2400 watt lights to light fielder Eric Davis, you may hope that you can at least get inspiration because you are never going to have that kind of equipment, or if you are, then to quote McNally, “you don’t need my advice”. And don’t take a peek at McNally’s equipment until you come to that page in normal reading or you may decide the book is not for you.

If you are looking for instruction, it’s here amongst the stories, even if it’s delivered in a non-structured sort of way. I haven’t invested in a dozen Speedotrons, but after reading this book, I did decide to upgrade my umbrella to a couple of softboxes. On the other hand if you are interested in looking at a portfolio of great pictures, McNally has them. And if you like to listen to photographers tell stories about photography, often at their own expense, you’ll probably love this book.

Other then the lighting there is little of a technical nature here. There’s nothing about exposure, or depth of field or Photoshop. I am certain that the people that talked the author into writing this book loved the stories and the way they were told and how they related back occasionally to transforming a vision into an image by using equipment. McNally’s personality comes through. Whether this is the way for you to learn some lighting tricks will depend on what you feel about winnowing them out of the stories and pictures. On the other hand, Joe McNally is a great guy to have a drink with.

Joe is a great teacher. Open, honest, with an encyclopedic knowledge of the art, and the craft of photography. Joe is a problem solver who builds photographs brick by brick. Studying everything, engage his subject, using all his tools, it is like watching someone put a puzzle together. His new book combines a great selection of images, with his anecdotal stories, and technical descriptions of how they were made. Joe has balanced the book, carefully selecting every image to cover a wide range of situations, to help fellow photographers through the “peeks and valleys” of freelance photography. He has thirty years of experience shooting in over fifty countries to glean from. Working for Life, National Geographic, Sports Illustrated, and lots of Fortune 500 companies. In “Joe talk”, the lessons include: “Basic human interaction trumps everything; Zoom with your feet; Shoot it now; The most important asset is your attitude”. There are lots more clearly presented. Buy the book for it’s great photographs, because you want to learn about being a photographer, or being a parent. To learn about lighting, and what to pack in your camera bag. To learn a few tricks, or about light. Learn how to shoot what you love, to convey what you want to say in a photo. A great book by a great photographer at the top of his game.